Radio
rascal Jack Cullen knew how to have fun on air
The creator of CKNW's Owl Prowl was highly competitive but never nasty
Red Robinson Vancouver Sun Thursday, January 19, 2006
”I grew up in the second radio generation.
The first was the Golden era, when radio featured programs such as Jack Benny,
Lux Radio Theatre, The Green Hornet, live band shows such as Mart Kenny, Glenn
Miller and others. It lasted until the mid-'50s, but television soon lured them
all away.
Deejays, who had been part of radio since the thirties, took over the reigns at
the radio stations.
As a young teenager, I discovered this new world where I could escape to,
listening to deejays from far away. The dial wasn't so crowded in those days,
and I could hear Al Jarvis, in
Each night I'd listen to him as he played a mix of pop music and big band
sounds of the past. In the early '50s he took requests. This was a magical time
and place for me. I used to sneak out to take in his Saturday afternoon show,
and enjoy being a part of his audience.
I knew then what I wanted to do with my own career.
Cullen came out of the Canadian Navy in 1945, enrolled in a radio school and
found a job as a deejay and newsreader at CJAV in Port Alberni on Vancouver
Island, in 1946. In the Spring of 1947 he moved to Vancouver and CKMO (it later
became C-FUN). He had an all night show called Pacific Patrol and then later
formed his own show Owl Prowl, heard nightly from
In those days, radio was bigger at night than during the day.
Cullen took his portable recorder with him around the nightclub circuit in town
to capture interviews by visiting artists such as Judy Garland, Kay Starr, Tony
Bennett and just about every major entertainer of the day.
Some times, he hid his recorder and taped live performances by the stars and
played them on his radio show (that was as much of a no-no then as it is now).
He was a true radio rascal.
You tuned in for more than just the music and his patter. You tuned in to hear
the stars, and the stunts. You might find him broadcasting from a taxi cab as
it cruised around town, or he might be broadcasting from the chair lift at
Grouse Mountain or in the nude from the YMCA (truly) or you might hear him
going up a flight of stairs to the roof above his studio to get a thermometer
reading.
He was a character, but more importantly, a performer with a vast knowledge of
music and a record and tape collection second to none. (At one time, the story
goes, he had the largest private collection of sound recordings, only eclipsed
by the corporate collection of BBC radio in the
In
He became the trend-setter for all who followed.
One of the funniest incidents for me was when I first started my rock and roll
show. At the time, Jack owned a record store on
He would tape the Ed Sullivan Show when Elvis first appeared and then play
songs that were not yet available such as Ready Teddy, Rip It Up and others
from the Sullivan Show. He was driving me crazy because the kids would call the
next day and request these songs that were not available on disc yet.
One day I sent one of my listeners (I played in front of a live audience in
those days) down to Cullen's to buy an Elvis disc. When I received the record I
quickly put it on the air, without hearing it first, and in the midst of the
song you could hear Cullen saying "You can buy this record at Jack
Cullen's record store."
He had been tipped that the disc was for me. You can imagine my chagrin.
He was highly competitive but never nasty. When he and clothier Murray Goldman
brought the first true rock 'n' roll concert -- Bill Haley and his Comets -- to
Vancouver in 1956, he asked me to emcee the show at the Kerrisdale Arena.
Cullen was named to the B.C. Entertainment Hall of Fame during it's first year
of inception. His final radio shows were aired in 2000 on CKST in Vancouver
(now Team 1040). He was removed from CKNW in May of 1999 when they decided to
concentrate on talk radio.
His final sign-off came on
© The
***
Jack
Cullen, broadcaster and entertainment buff ( in his own words)
For this delightful assignment, I was offered the
chance to write about the thirties or the forties. I jumped at the 30s because
I felt it was the most productive era for the entertainment field, which is
close to my heart.
The 30s, of course, were the depression years, but our
family was lucky. Father had a government job as a food inspector for the
Department of National Health. But for others, the times weren't as pleasant.
For me, my love of movies came first. Wow! They were
ten cents at the old Broadway and Music Box theatres. If you missed a showing
or wanted to see your favorite films again, no problem. they were around for
more than a year starting at the big downtown houses and then moving into
suburban theatres such as the
My first interest in music came about through my love
of the movies as well. Remember the great Busby Berkeley musicals with Dick
Powell and Ruby Keeler? Over at
RKO was Fred Astaire and Ginger Rogers. Shirley
Temple, Alice Faye and Betty Grable were at 20th Century Fox. Universal Studios
had Deanna Durbin. I was hooked on music through the musicals of this time.
I began collecting records in the 1930s. I still have
my first disc - an old 78 by Dick Powell - Don't Give Up the Ship.
Later, I latched onto the sounds of Big Band Swing -
Goodman, Dorsey, Ellington, etc. The composers of those days were the cream of
the crop -
Oh, how that collection grew. Today, it's 350,000
discs, tapes, transcriptions and vintage radio shows.
Radio was truly King in the 30s. We used our
imagination with dramas such as The Lux Radio Theatre, War of The Worlds,
The Shadow and Mr. District Attorney. Saturday was a must for the Lucky
Strike Hit Parade.
Then there were Fred Allen, Jack Benny, Amos n' Andy.
For me I just loved those late evening dance band remotes from the glamorous
ballrooms, clubs and theatres all across the radio dial.
Locally, we had live stage shows at the Beacon,
Orpheum and
Life was fun for a kid in those times. Bread was 10
cents a loaf, cars were around $500 and we actually had vacant lots to play in.
If you traveled south on
The 30s? Thank God I lived it!